This actress worked with Dev Anand, Dilip Kumar, quit acting suddenly to become a monk, her name is…
Several actors have embraced a lifelong commitment to spirituality adopting spiritualism, among them is this top actress.
While many film personalities distanced themselves from the glamorous world of acting and chose a existence devoted to spirituality and religion, now no longer all of them possess made a comeback to the commercial. Several actors possess embraced a lifelong commitment to spirituality, adopting spiritual attire and changing into seekers of God. Among them is Suchitra Sen, the famend actress of the ’60s and ’70s in Hindi and Bengali cinema who stands out. Scroll the total intention down to procure more facts.
Suchitra Sen made a outstanding impression along with her performance alongside Sanjeev Kumar in the powerful-well-liked film Aandhi. Diverse principal movies in her profession embody Devdas (1955), Bombai Ka Babu (1960), and Mamata (1966). After a successful acting profession spanning over two many years, Suchitra Sen retired from movies in 1978 and devoted the later years of her existence to the Ramakrishna Mission, residing in its service as a devotee.
Many may now no longer know that Suchitra Sen had one final wish sooner than her passing, to painting the function of Ma Sarada Devi, the revered most distinguished other of Saint Ramakrishna Paramhansa and a religious leader in her possess good. This heartfelt desire on the opposite hand remained unfulfilled in response to a shut household friend.
After her last film Pranay Pasha, in 1978, Sen withdrew from the film commercial and grew deeply connected with the monks of the Ramakrishna Math in Belurmath, located steady a pair of kilometers from Kolkata. “Her final wish became as soon as to play Ma Sarada. She assuredly expressed this desire, announcing she longed to behave in a film about her,” shared Gopal Krishna Roy, a shut friend of the legendary actress.
In her later years, Suchitra Sen led a existence of seclusion, residing in her condominium in the southern a part of town. She spent most of her time immersed in spiritual literature and being attentive to devotional songs. Roy printed that even all the intention thru her final days at Belle Vue Health center, where she became as soon as receiving care, she saved photography of Ma Sarada and other spiritual texts by her bedside.
Devotional tune played at the sanatorium at Sen’s save a question to, and monks from the Ramakrishna Math continuously visited to present their blessings and strengthen, embodying the deep connection she had with the monastic tell unless her last moments.
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