Hrithik Roshan used to lock himself inside…, Rakesh Roshan recalls his son’s traumatic battle with stammering
Rakesh Roshan shares how Hrithik Roshan dealt with his stammering problem. It was especially difficult for him during his school days.

Actor Hrithik Roshan has carved a distinct phase for himself as an actor in Bollywood. On the alternative hand, he fought many odds to reach this stage, and his father, director-actor Rakesh Roshan, spread out about Krrish actor’s war in opposition to stammering, In a dialog with ANI, the senior actor shared how he felt about Hrithik’s stammering enviornment as a father: “I oldschool to feel bad. He wishes to narrate so many things. He is so smartly-trained and if truth be told wise. However he oldschool to reduction himself reduction thanks to his stuttering. Once, I do no longer omit that he used to be in Dubai, and he wished to right whisper thanks, Dubai. And he oldschool to fetch caught on the notice D…”
“He has locked himself right through the lavatory. To be taught these two sentences by coronary heart, to narrate thanks, Dubai. So I oldschool to feel bad, that he is this kind of modern man, but something is preserving him reduction.”
Hrithik himself addresses his stammering enviornment
Hrithik himself has spoken about his stammering enviornment in outdated interviews, the put apart he shared how bright it used to be as a little bit one to take care of it right through his college days. Rakesh Roshan recalled how Hrithik worked laborious to fetch rid of the topic: “He worked so laborious on it. He would fetch up in the morning and browse the newspaper for an hour in English, Hindi, and Urdu. And now he doesn’t scream. For the final 10, 12, 14 years.”
He additionally made a movie, ‘Koi… Mil Gaya’, which specializes in Rohit (Hrithik Roshan), an intellectually disabled boy coming in contact with an alien and making wonders in the scientific discipline. The movie follows his relationship with Nisha (Zinta), Rohit’s friend, who falls in like with him. It stars Hrithik Roshan and Preity Zinta in lead roles, with Rekha in a supporting position.
He added, “I made ‘Koi… Mil Gaya’ to existing how good he(Hrithik Roshan) is as an actor. And that used to be the greatest downside for me. After which the same boy, I made him correct into a superhero.”
After, the science fiction movie ‘Koi… Mil Gaya’ (2003), Roshan made the superhero ‘Krrish’ movie series. The first ‘Krrish’ movie launched in 2006 whereas the 2nd movie in the series, titled ‘Krrish 3’ hit the shows in 2013. Both movies featured Priyanka Chopra, who used to be reverse Hrithik. The anti-hero of ‘Krrish’ used to be Naseeruddin Shah, whereas Vivek Oberoi performed the antagonist in ‘Krrish’ 3. All these movies were helmed by Hrithik’s father Rakesh Roshan.
“So, in . ‘Kaho Naa… Pyaar Hai’, I showed his two sides, one as a frequent man and each other as a stylish and refined particular person. I showed his every other side in ‘Koi… Mil Gaya’ and then I made him a superhero in ‘Krrish’,” he shared.
On ‘Krrish 4’, he shared, “It is practically ready, and I may be announcing it very soon.”
The acclaimed director spoke about Hrithik’s travel as an actor, saying, “I made ‘Kaabil’ the put apart he is blind. As an actor, if he does something various, he gets an inspiration. For me, as a filmmaker, I additionally strive and rob on new matters for me. In order that offers me sleepless nights. That offers me insecurity. Whether it may perchance probably work or no longer. In order that offers me some extra power in me to make such form of films, to convince the individuals that here's what used to be my conviction and here's what I'm attempting to convince you all.”
Passe filmmaker Rakesh Roshan obtained the Smartly-known Success Award at IIFA 2025. Rakesh has acted in movies care for ‘Khubsoorat’ (1980) with Rekha and ‘Kaamchor’ (1982) with Jaya Prada. He made his directorial debut with ‘Khudgarz’ (1987). He went to instruct movies corresponding to ‘Khoon Bhari Maang’ (1988), ‘Karan Arjun’ (1995) and the Shahrukh Khan starrer- ‘Koyla’ (1997).
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