‘I unhooked her blouse…’: This actress got attracted towards Aishwarya Rai while shooting, her name is…
"If I were a man, I’d want a girl like her," Bobby Darling recalls her shoot days with Aishwarya Rai in Taal.
Sooner than she grew to become India’s most visible trans icon, Bobby Darling modified into as soon as Pankaj Sharma — a boy from Delhi who would trot on to rewrite identification and visibility in mainstream Bollywood. Her streak to the big show cover started with Taal (1999), helmed by showman Subhash Ghai.
In a glossy conversation with Siddharth Kannan, Bobby spread out about her early days in the exchange, revealing moments both empowering and intimate.
“Shot for 25 days… then they lower my scene”
“I modified into as soon as paid ₹2,500 per day,” she recalls. “I shot for 25 days for Taal, but you don’t defend watch over what gets edited.” Bobby modified into as soon as solid in a small feature — that of Aishwarya Rai’s dressmaker. “Subhash Ghai himself auditioned me and acknowledged, ‘Give her the dressmaker feature.’ During the music Ramta Jogi, Anil Kapoor gave me the nickname ‘Dastoor’ — and Subhashji well-liked it factual there.”
The 2d with Aishwarya
Then came the sudden memory that also makes her laugh. “Subhashji suggested me to fasten Aishwarya Rai’s shirt hook at some stage in a shoot. My hands were trembling. Was it a shirt or a bra? I don’t know… but there I modified into as soon as, standing factual subsequent to her, nervous and intensely happy.” She added, “Aishwarya modified into as soon as very polite, very humble. I grew to become drawn to her. I believed — if I were a man, I’d desire a lady fancy her.”
An good window into 90s Bollywood
Whereas her feature never made the final lower, Bobby’s narrative is a reminder of the reasonably about a voices that in overall remain unheard in Bollywood lore. From hidden edits to smooth needs, Bobby’s yarn paints a textured portrait of identification, admiration, and the smooth ache of what may’ve been.
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